![]() In addition, access data, in particular the IP address, browser information, the previously visited page and the date and time of the server request are transmitted to "Google". While videos are being played on our website, “YouTube” receives the information that the relevant subpage has been accessed. no user data is transmitted to "YouTube" if no videos are played. The videos are integrated in the "extended data protection mode", i.e. With the data processing, we pursue the purpose of using visual content ("videos") published on "" on this website. When using the streaming function, information that is stored on users' end devices is also processed. Integrated YouTube players on this website stream content from either "" or "" and can be played after opt-in only. The video is only loaded after clicking the play button and only sends data to Google after the opt-in. The adapter PROMAM67 is available from now on. Still today, these lenses are widely available on the used market. Mamiya RB67 and RZ67 cameras and lenses belonged to the top products in the field of analog photography and were used by studio- and portrait-photographers alike. Please note: The leaf shutter of the lenses must be cocked manually! The clamp is hooked to the Depth-of-Field preview lever and fixed to the cable release socket. PROMAM67 is supplied with an aperture clamp to ensure that the connected lenses can be fully stopped down. A simple BALPRO-bellows is all that is needed! And due to their design, without having to stack several extension tubes or bellows. ![]() The longer focal lengths (180, 210 and 250 mm) of both systems can be used as well. We are thinking here mainly of the use of these lenses in photo studios and in combination with the CASTBAL-PRO bellows attachment and the CASTEL-MICRO stepping motor-driven focusing rail as a highquality Focus-stacking solution in product photography. The 4.0/65 mm lens is moreover equipped with floating elements to increase image performance. RZ-Sekors 4.5/50 mm and 4.0/65 mm all the way up to infinity when using a mirrorless camera. PROMAM67 enables the use of Mamiya RB67 and RZ67 lenses on the BALPRO-series universal bellows: BALPRO-1, BALPRO-T/S und CASTBAL-PRO.ĭue to the large flange length of both systems (RB= 111mm, RZ= 108mm), it is now possible to focus shorter focal lengths e.g. Launching PROMAM67, another lens adapter is now available. The huge number of adapters lets photographers mix and match all types of modern and vintage cameras and lenses and makes this a sustainable and versatile solution for all kinds of studio and macro work. The universal bellows of the NOVOFLEX BALPRO-series are amongst the top of the line in this range. Adapter Rings for BALPRO1 and BALPRO T/Sįor more than 70 years now, bellows are an integral part of the NOVOFLEX product range and enjoy an excellent reputation from photographers worldwide.Adapter Rings Bellows and Follow Focus Lenses.Sony NEX/Alpha/E-Mount (mirrorless-ILCE).Sony Alpha/Minolta AF/A-Mount (SLR/SLT-ILCA).MFT (mirrorless) Olympus OM-D/Olympus PEN/Panasonic G.L-Mount (mirrorless) - Leica SL/T/TL/CL, Panasonic Lumix S1, Sigma fp.and I eventually began searching for greener pastures.Adapter Rings Bellows and Follow Focus Lenses Missing focus on roll after roll began to drive me crazy. I also found critical focusing extremely hard on the 645J due to the size and limited brightness of the viewfinder. I attempted to compensate for this by buying a left-hand grip, but I felt that it only exacerbated the issue. The boxy design allowed no real space for a proper grip, resulting in a lackluster shooting experience. The Mamiya M645J ( find on eBay) became my go-to travel camera, bridging the gap between the portability of a 35mm camera and the quality of medium format.Īll good things come to an end, however, and a few months into heavy use with the 645J, some issues began to become apparent.įirstly, I found the camera way too awkward to operate for any extended period of time. The model I owned also came with a metered prism finder which eliminated the need for a handheld light meter and allowed for a more streamlined shooting process. After my first roll was developed, I knew from that point on I could never return to only shooting 35mm.įor a medium format camera, the Mamiya 645 was super portable and very lightweight I could throw it on my shoulder or into a backpack and forget it was even there. The quality jump from my very first film camera, the Canon AE-1 Program, to the Mamiya 645 was, to be frank, insane.
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